Posts Tagged ‘Promoters’

Music Promoters Making Money

January 10th, 2010

Music Promoters who work with mega stars who sell out huge venues can make some serious money. But music promoters can easily find themselves working all day, every day, and only getting deeper into debt. Many music promoters have a day job that supports their promotion job. For becoming music promoters, a clear understanding of the money involved is needed, and there is a need to make deals with bands and venues very carefully. For any given show, music promoters’ expenses include: Venue rental, Advertising (posters, newspaper/magazine advertisements, etc), Backline rentals, Accommodation for the band, Rider and Payment for the band.

There are ways of mitigating some of the expenses involved in promoting, and for staying in this for the long haul, cutting costs as much as possible is needed. For instance, the band/label/agent is required to print posters and send them, instead of taking that cost on self. Accommodation should not be provided if the band’s show is not going to generate enough money to cover the costs, or if it is must, the band ought to be put up at the house.

Some of the expenses can also be cut down by working under a door split deal arrangement, instead of paying the band a set fee. That way, one can make all of the money back first, and then the band gets paid if the individual gets paid. Bigger artists will balk at this kind of deal and will want a set fee – paying a set fee is fine, and even ideal, when working with a band who will sell enough tickets to recoup the costs. But if the band putting on with, is just building a name for themselves, a door split deal is fair for everyone. It should be ensured that the band try to sell some merchandise at the show to give some extra money. The truth is that many shows lose money, especially the shows featuring new bands. As long as no one is withholding earnings from the band, it is perfectly OK to set up the shows so that one can lose as little as possible. Most up and coming bands will recognize that and will work. After all, if one succeeds, they succeed. Being fair to both parties – including self – is the name of the game.

Music Promoters Making Money For Internet Music Promotions

January 4th, 2010

Whilst it’s important to be confident, getting high and mighty about how great the music is, when that dodgy vocal music haven’t even mixed, mastered or fixed that makes to look silly period. It should be ensured that everything about the music really lives up to how it is presented online, otherwise the world will take the advice and just walk on by. Sites such as Nimbit, Website Music Player, Reverbnation shop widgets, or other online storefronts too should be tried out which could help drive sales. At the end of the day if there is no ability to purchase from the website or other online touch points, money will be left on the table. The website should have links to the other entire places one can be found online music promotions. Fans should be able to move seamlessly from one of the spots on the web to another and shouldn’t have to visit multiple sites to figure out what’s up with you. If there is important news, it should be gathered from everywhere. If the music is streaming somewhere that has a widget to put it elsewhere, that widget should be put everywhere, especially where there is a presence. Promoters who work with mega stars who sell out huge venues can make some serious money. But indie music promoters can easily find themselves working all day, every day, and only getting deeper into debt.

Many promoters have a day job that supports their promotion job. For becoming a promoter, one needs a clear understanding of the money involved, and even need to make deals with bands and venues very carefully. For any given show, a promoter’s expenses include: Venue rental, Advertising (posters, newspaper/magazine advertisements, etc), Backline rentals, Accommodation for the band, Rider, Payment for the band When setting out for online music promotions, covering too much ground at once is not advisable. Larger artists have specific campaigns that promote specific things, like a new album or a tour. One thing can be chosen to promote, like: a single, a show or a website. Broken and mistyped links are the best way of telling visitors that are too busy to attend to the web presence and sending them elsewhere. They’ll probably think that the music has been given up and will move on. With the promotional goal in mind, the right audience can be figured out for the campaign. If there is a gig coming up, then the right audience for promotion is the local print publications and radio stations in the town in which the show is happening. If there is a limited edition single coming out, the primary audience is the band mailing list, plus the media. Going for the right audience is especially important if being on a budget.I take pleasure in inviting you all to http://www.musiciansatlas.com/ to explore all the fun of music.